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Designer Spotlight: “The Great Gatsby” by Tiffany & Co.

Carey Mulligan in Tiffany. Matt Hart/Warner Bros. via AP. Photo Source: The Washington Post.

Carey Mulligan in Tiffany. Matt Hart/Warner Bros. via AP. Photo Source: The Washington Post.

Nick: You can’t repeat the past.
Gatsby: You can’t repeat the past?
Nick: No.
Gatsby: Why of course you can. Of course you can.

Perhaps you really can’t recreate the past, but Baz Luhrman, Catherine Martin, and top executives at Tiffany & Co. have done their best to reinvent it with the pulse-pounding party scenes and the stunning jewelry featured in the newly released movie, The Great Gatsby.

“Catherine Martin and Baz Luhrman first came to Tiffany almost two years ago…with the assumption, based on the role that we played in New York at that time, that perhaps there would be something…they could discover that would inspire their work within the movie,” says Jon King, Executive Vice President of Tiffany & Co.

They were not disappointed. Tiffany & Co. generously released their extensive 1920s archives to the Hollywood pair, who partnered with Tiffany design teams to invent “things completely from scratch” {cited}.

If there wasn’t an appropriate piece in their archival inventory, which was the case for the pearl and diamond fan-shaped hat pin worn in one scene by actress Elizabeth Debicki (“Jordan Baker”), the teams set to work recreating pieces from actual Tiffany drawings from the 1920s.

This was the case for Daisy’s Savoy Headband and the pearl and diamond hand jewelry featured in the above photo. The headband features freshwater cultured pearls and round brilliant diamonds (totaling 25.04 carats) set in pristine platinum. The beautiful flower is detachable and can be worn as a brooch.

“I’ve never worn jewelry like the jewelry that we’re using from Tiffany’s….I had these rings that were attached to pearls that came around, and they were so delicate….You know that you’re wearing something very beautiful and something very valuable,” says Carey Mulligan. “I think it changes the way that you move and the way that you carry yourself” {cited}.

The partnership with Tiffany & Co. represents a toast to the Spirit of the 20s, with its modernity, its elegance, its over-the-top resplendence. Tiffany Diamonds continue to effuse the alluring sophistication that exemplifies the glamorous American scene. Truly, this writer can’t imagine The Great Gatsby without the dazzle of Tiffany jewels.

Visit our Facebook page and let us know which of Tiffany’s #Gatsby-inspired pieces are your faves.

Rare Type IIa Ring by Van Cleef & Arpels Expected to Sell For $840,000 at Bonham’s Hong Kong Auction

Type IIa Diamond Ring by Van Cleef & Arpels. Photo copyright 2013 Bonham's 1793.

Type IIa Diamond Ring by Van Cleef & Arpels. Photo copyright 2013 Bonham’s 1793.

This stunning platinum ring features a fancy light pinkish-orange, certified type IIa diamond center stone with two trilliant cut natural white diamond accent stones. Made by Van Cleef & Arpels, this ring is expected to sell for up to $840,000 at Bonham 1793′s upcoming Fine Jewelry & Jadeite sale in Hong Kong.

Listed in their catalog as “an important coloured diamond” ring, the importance of this jewel lies primarily in the classification of its 11.47-carat center stone as a type IIa fancy colored diamond. The majority of diamonds in the market are classified type Ia, which indicates the presence of up to 0.3% nitrogen in the crystal structure.

Type IIa diamonds, which are nearly devoid of impurities, account for only 1-2% of marketable stones, making them extremely desirable to collectors. The fancy colored diamonds, which attain their color through what scientists call “plastic deformations,” pose a geologic mystery that scientists at the Naval Research Laboratory are still trying to solve. Their alluring colors and mysterious nature add further intrigue to serious diamond enthusiasts and collectors.

Indeed, just last month, Christie’s sold a rare type IIa fancy pink diamond, also previously owned by Van Cleef & Arpels, called The Princie, for nearly $40 million dollars. While this particular stone does not appear to have the same historical significance as the lauded Princie diamond, it is still a one-of-a-kind piece, no less stunning in its rarity and beauty and no less significant as an investment.

This magnificent designer ring goes to auction on May 25, 2013, in Hong Kong, alongside over 175 other noteworthy fine jewels, including several other stunning jewels made by Van Cleef & Arpels, and several early 20th century pieces from other top designers, such as Tiffany and Cartier.

Interested parties can find more information on Bonham’s website.

Designer Spotlight: Bergio

Blue Sapphire Engagement Ring. Mounting by Bergio.

A solid platinum mounting with diamond-paved shanks houses this magnificent natural blue sapphire set in place by Bergio’s classic corner-prong setting. Triangular cuts emphasize the  beautiful cut of this 1.35-carat oval-cut blue sapphire, while at the same time allowing maximum light to spark off the brilliant stone.

Once again, Bergio delivers timeless elegance with a contemporary edge. Berge Abajian, CEO and Head Designer of Bergio, strives to envision the woman who will one day wear his rings. Class, sophistication, and elegance are her constant companions. Her style is uniquely hers, and she is just as likely to choose a romantic blue sapphire as a traditional white diamond for her engagement ring.

Perhaps her dress will hearken back to bygone days–the A-lines and mermaid gowns of the 1930s and 1940s, but with a contemporary flare. Whatever she chooses, a Bergio bride is the ultimate art form.

Just as she strives for perfection in preparing for her wedding, the team at Bergio strives to create a perfect piece of “jewelry that reflects all the beauty and vitality a woman possesses” {cited}. With every ring, they promise to deliver a creation of perfect beauty, seamlessly blending classic elegance with subtle flair, that will enhance a woman’s allure without overpowering her.

If you are a Bergio bride, then this gorgeous blue sapphire ring, with its stunning platinum lines and its classic touch of elegance, may be just the ring for you.

GIA Museum Presents Kara Ross: Premiere Designer Spotlighted in Their New Series “Aluminati”

"Horizontal" by Kara Ross. On Exhibit in the GIA Museum's "Aluminati: Students to Stars" Exhibition. Photo credit: GIA on Pinterest.

“Horizontal” by Kara Ross. Photo credit: GIA Museum on Pinterest.

The raw crystals of this exquisite green dioptase dynamically extrude from its 18k yellow gold mounting in much the same manner it must have jutted out of its original brownish quartzite host. GIA graduate, Kara Ross, added a touch of glitter with a sprinkling of pavé diamonds, perhaps in honor of the carbonate crystals that often grow alongside dioptase in its natural form.

Ms. Ross is the first of a group of GIA alumni who will be honored with their own exhibitions at the GIA Museum in Carslbad, California. The museum’s latest series, “Aluminati: Students to Stars,” will showcase the far-reaching successes of their many talented graduates.

Kicking the series off with a bang, the bold and unique styles of Kara Ross will inspire and impress a public audience in the same way the cutting-edge designer has inspired and impressed a celebrity audience, including actresses Anne Hathaway, Kate Hudson, and Cameron Diaz, as well as U.S. First Lady Michelle Obama.

A highlight of the exhibition, Mrs. Obama’s custom “Shirt Cuff” bracelet, made from amethyst crystals, sterling silver, and the wood of a fallen White House magnolia tree, will be on display alongside the matching earrings Ms. Ross made for the fashion-forward First Lady. The bracelet and earrings demonstrate Ms. Ross’s unique ability to transform natural materials into astonishing works of art.

Ms. Ross got her start in jewelry design in her early teens. To commemorate a family safari in Africa, her parents encouraged their daughter to design and fashion a ring with the native tourmaline she chose. Inspired by downtown Philadelphia’s Jeweler’s Row, Ms. Ross created a ring of 18k gold and diamonds in which to mount the square-cut tourmaline.

This early start at creating jewelry marked her indelibly, and her passionate pursuit of designing with gemstones earned her the highest credential given by the GIA, a GIA Graduate Gemologist diploma. As a GIA Gemologist, Ms. Ross is a highly trained expert in diamonds and colored gemstones.

“Through the GIA, I developed my passion and knowledge for gemstones, and these inform and enhance all the designs I create today,” Ms. Ross told Jeff Miller of Rapaport Auctions. Her nearly-organic rendering of the green dioptase in the stunning ring pictured above demonstrates her statement. Visitors can see the ring, named “Horizontal” by the designer, as well as Mrs. Obama’s “Shirt Cuff” bracelet, and many more designs by the celebrated designer in the GIA Museum atrium.

According to the GIA Museum’s website, Ms. Ross’s work will be on display through October 2013. For a free guided tour, visitors must call ahead to make an appointment. To schedule a tour, call 800-421-7250, ext. 4116.

This Replica of Jade Jagger with a Twist of Belvedere Is Coming Up on Julien’s Auction Block in Mid-May

The Jagger Dagger. Photo Credit: Julien's Auction House.

A Replica of the Jagger Dagger. Photo Credit: Julien’s Auction House.

This handsome replica of the celebrated Belvedere Jagger Dagger will be on sale live at New York’s Hard Rock Café as part of Julien’s Auctions annual Music Icons sale on May 18, 2013. The dagger is really an ice pick with a twisted white enamel handle topped by an elegant blue enamel bead.

As confirmed by Martin Nolan, Executive Director of Julien’s Auctions, the handle and crossguard are set with clear and light-blue simulant gemstones and a central square of blue enamel. The steel blade is etched with delicate branches beneath designer Jade Jagger’s engraved signature, “JJ”.

Approximately 50 of these promotional Jagger Daggers were made, and according to Julien’s lot description none of them appear to have been sold publicly. While it has not been confirmed, this writer believes that this dagger is actually one of the legendary ice picks made for the sole purpose of carrying out the famed Jagger Dagger ritual at some of the world’s hottest night clubs in the spring of 2008.

Such a fantastical role in one of 2008′s most inventive marketing plans, combined with the allure of its famous designer, certainly packs this gorgeous dagger ice pick with more than its fair share of historical value. Here’s the story as I believe it unfolded.

As OTSP describes, it all began as a collaboration which fused Ms. Jagger’s “unique aesthetic” with “the world’s premium luxury vodka,” to serve up a delicious cocktail of high-class fashion, romping good times, jewel-encrusted rock and fashion legends, and of course Belvedere Vodka by the magnum.

Before the launch, the folks at Belvedere sat down with Jade Jagger to discuss “the cultural references surrounding communal drinking” and how to cut ice. {cited} Ms. Jagger discovered that hand-chipped ice melts at a slower rate than standard cubed or crushed ice, thereby affording perfectly chilled vodka without diluting its distinctive flavor and potency.

Drawing inspiration from Viking and Arthurian lore, Ms. Jagger combined glittering white diamonds and pale blue sapphires with the alluring mystique of lapis lazuli and moonstone to craft a dagger ice pick which captured what she called “the flavors and colors of Belvedere.” {cited} Once the dagger was perfected, she set her beauty and good name to work promoting the dagger and the vodka.

Following a string of lavish, star-studded unveiling galas around the globe, some of the daggers were entrusted to hand-selected premier nightclubs, such as 1 Oak in New York City, Crystal in London, and VIP in Paris. Club patrons who ordered a magnum of Belvedere Vodka (1.5 liters) were treated to the luxurious ritual.

While the exquisite jewel-studded dagger served as holy relic, set apart in a glass case for viewing only, it was, I believe, this dagger and the others like it which served as the true power behind the elaborate rituals performed at the world’s hottest night clubs that spring.

When a patron ordered the stunning bottles of Belvedere Vodka, a block of engraved ice was carried to the table by two attendants. In ceremonial fashion, a third server, wielding a Jagger Dagger, would hand chisel into the glasses shimmering shards of fresh ice over which a fourth server would pour the “creamy, peppery” vodka lauded as “the hottest vodka” {cited}.

Clearly, putting one of these $250,000 jeweled wonders to use chipping away at ice night after night would have proven impractical at best, foolhardy at worst. Therefore, it stands to reason that Ms. Jagger designed this line of replica Jagger Daggers to take the heat, so to speak.

These Jagger Daggers are no less the real deal than the jeweled souvenirs set with diamonds and blue sapphires or the replicas set with white topaz and aquamarine sold at high-end boutiques such as Harrods of London.

Each of the three styles was designed and crafted under the watchful eye of one of London’s most gifted entrepreneurs, Jade Jagger. Each played a vital role in Belvedere’s extravagant endeavor to promote their campaign, “Luxury Reborn.” And each style is a unique work of art expressed in 3-D form by a talented jewelry designer.

Interested parties will find this limited-edition jeweled ice pick among several other famous jewels featured as part of Julien’s annual Music Icons auction. Alongside the Dagger, the sale will also feature costume jewelry and a Pascal Morabito watch from Cher’s private collection, as well as three gifted jewels from The King:

  • A diamond-encrusted Star “E” ring, which Elvis gave to Charles Hodge in Las Vegas,
  • A monogrammed anklet (“EP”) made in 1977 by Memphis jeweler Lowell Hays, which Elvis Presley gave to his then-sweetheart, Ginger Alden, and
  • A 14k gold ring set with a synthetic pink stone the singer gave to the head pharmacist at Schwab’s Pharmacy.

Interested readers can find lot descriptions and further details on Julien’s website.

This Dazzling Cocktail Ring Resounds with Bulgari Style

BVLGARI Ruby & Diamond Cocktail Ring

The curving lines of this wide-band platinum cocktail ring ooze luxurious comfort. Rimmed in 18k yellow gold, the 1.19-carat emerald-cut ruby flanked by two pear-cut genuine diamonds add a touch of glamour. Stamped “BVLGARI 2337 AL”, this dazzling cocktail ring resounds with Bulgari style.

Reminiscent of the imposing dimensions and geometric motifs of 1930s Bulgari, this ring epitomizes Bulgari’s dedication to striking a balance between modernity and classicism. Rooted in the tradition of ancient Greek silversmiths, the Bulgari family has built upon its historic foundations an enduring legacy of excellence, sophistication, entrepreneurship, and stunning craftsmanship.

Stretching beyond the boundaries of jeweled ornaments, Bulgari continues to enrich people’s lives with beauty in the realms of fashion, fragrance, and luxury resorts. Their success hinges upon the expert craftsmanship and persistent pursuit of the perfection of each piece of jewelry, each fragrance, each endeavor.

As a member of the elite Bulgari family, this magnificent cocktail ring with its striking aesthetic is a guarantee of impeccable craftsmanship, ethically sourced diamonds and rubies, and passionately inspired design.

Designer Spotlight: Herbert Rosenthal’s Vintage Bee Brooch and the Controversy It Inspired in 1971

herbert-rosenthal-bee-pin-br0169i

 

The “idea” represented by this vintage Herbert Rosenthal jeweled bee brooch, with its golden wings, its diamond-encrusted thorax, and its bezel-set ruby eyes, has remained a topic of interest in the realm of copyright law since early 1970s.

In a landmark case decided by the 9th District Court in 1971, Herbert Rosenthal alleged that a competing jewelry designer had infringed his design copyright by manufacturing jeweled bee brooches nearly identical to this one. Though the courts ruled in favor of competition, and therefore in favor of the defendants, tremendous precedents were set from this case, and one like it which involved an imitation of one of Rosenthal’s jeweled turtle brooches.

Mr. Rosenthal is credited with setting the standard for the bee motif in brooches. At one time he was the exclusive designer for bee pins for Tiffany & Co, and his bee brooches are vintage collectibles in today’s market. However, a search in Google for Herbert Rosenthal fills the pages with discourses on the merits of copyright law.

According to Kari at FashionLawWiki, “copyright is the protection of ‘original works of authorship fixed in any tangible medium of expression,” provided by the laws of the United States. This copyright protection includes literary, dramatic, musical, artistic, and certain other intellectual works.” Such copyrighted materials are protected, without official registration or publication, the moment they are created.

Copying of such an original expression is illegal, and legal action can be taken to recover loss and damages associated with such theft. However, copyright law has its limitations, and in the case of Mr. Rosenthal’s bee brooch, the matter was tricky for the courts to decide.

The renowned New York designer had registered his bee brooch design with the Copyright Office. Therefore, when similar bee pins made by another jewelry manufacturer flooded the market, effectively stealing a portion of his hard-earned market share, he took the offenders to court on the grounds that his “copyright registration of a jeweled bee [entitled him] to protection from the manufacture and sale by others of any object that to the ordinary observer is substantially similar in appearance.” {cited: Herbert Rosenthal Jewelry Corp. v. Kalpakian, July 7, 1971}

The courts agreed that the ornamental bees did indeed appear similar upon initial observation. Because the Kalpakians had access to Mr. Rosenthal’s bee pins prior to the manufacture of their own collection, the courts could not rule out intentional or accidental (still an infringement) copying. Indeed, some of the “imitation” bee pins even had the same number of white diamonds on the thorax. However, after much consideration, the courts decided in favor of the plaintiffs, declaring that the similarities in the design owed to the fact that bees are bees.

Since the “idea” of bees is not protected under copyright law, Mr. Rosenthal’s claim was denied. As the record states, “others are free to utilize the ‘idea’ so long as they do not plagiarize its ‘expression.’” Since the Kalpakian jewels were not identical to Mr. Rosenthal’s, the courts had no choice but to preserve “the balance between competition and protection reflected in the patent and copyright laws.” To render judgment in favor of Mr. Rosenthal “would confer a monopoly of the ‘idea’ upon the copyright owner free of the conditions and limitations imposed by the patent laws.” {cited: Herbert Rosenthal Jewelry Corp. v. Kalpakian, July 7, 1971}

Indeed, the merits of this case continue to impact today’s jewelry designers. There is a fine line between the healthy competition inspired by flattering imitation and the violation of copyright infringement.

According to attorney Daliah Saper, cases such as this one serve to caution what she calls ‘inspired by’ designers to “carefully take into account similarities between all their designs” {cited}. She goes on to explain that minor differences between a potential infringement and an original design may not be sufficient to differentiate the two, and the courts may rule in favor of the original copyright holder in such cases. Such inspired-by designs must achieve a unique visual impact in order to be fully free of possible infringement.

Despite the stiff competition and the court’s ruling in 1971, Herbert Rosenthal’s jeweled bee brooches stand the test of time and reign as valued collectors’ items in the realm of vintage jewelry. And it’s no wonder, with their intricate details, their whimsical facial expressions, and their high-quality stones and gold.

Vintage Celebrity Jewelry: Gina Lollobrigida’s Diamond Bulgari Necklace

Italian Actress Gina Lollobrigida Wears Her Bulgari Diamond Necklace as a Tiara.

Italian Actress Gina Lollobrigida Wears Her Bulgari Diamond Necklace as a Tiara.

One struggles to choose whether to gaze at the sculpted lines of the beautiful Italian actress Gina Lollobrigida or at the dazzling diamond necklace which she wears as a tiara in this photograph. Made by Italian jewelry firm Bulgari in 1954, the necklace, which can also be worn as a bracelet, features an open-work design with 22 round diamonds surrounded by fans with courses of baguettes and pave diamonds radiating from each central stone. The effect resembles a parade of stylized white peacocks.

On any other person, the dazzle from the nearly 100 carats of diamonds would most definitely compete for attention, but Ms. Lollobrigida’s commanding beauty is only enhanced by the magnificent jewel. The actress began her Bulgari collection as her acting career took off in the 1950s.

Through the persistent effort made by filmmaker Howard Hughes to woo the actress into marriage with Bulgari jewels, Ms. Lollobrigida fell in love, but not with the man. Enjoying her fame and the purchasing power it afforded her, she refused Mr. Hughes’ offers and purchased all of her Bulgari treasures for herself.

In an interview with Sotheby’s she shared that her first Bulgari piece was a collier, a term which means a wide necklace that encircles the neck from the collar bone to the chin. These colliers are signature pieces of Bulgari’s “Dulce Vita” era (1950s and 1960s). Often set with cabochon rubies, sapphires, and/or emeralds, they must have been sensational. Unfortunately, Ms. Lollobrigida gave no further details on the one she purchased.

Though gemstones are important to her, “because they are natural, the raw products of nature,” Ms. Lollobrigida favored Bulgari jewels primarily for the “skill of the artist involved, the craftsmanship of turning these beautiful stones into works of art.” She feels that “each one is like a sculpture” {cited}. Given that the former actress is now a celebrated sculptress, this is high praise for the artistry of the famed Italian jewelers.

Ms. Lollobrigida has cherished her Bulgari collection for the past 60 years. Having ended her acting career in the 1980s in order to pursue her lifetime passion to become an artist, she has since gained recognition for her photographs and sculptures.

She now spends much of her time sculpting. In addition to her artistic pursuits, she fulfills the role of Goodwill Ambassador for the Food and Agriculture Organization of the United Nations. In her new roles as artist and humanitarian, her Bulgari jewels have become souvenirs of a former life.

Rather than keeping them hidden away in her safe, she has decided to “share them with other collectors” {cited}. The 85-year-old celebrity released 23 of her famed Bulgari pieces to Sotheby’s, who will open bidding on them in their Geneva Magnificent Jewels and Noble Jewels auction on May 14, 2013.

In so doing, she not only releases these jewels to start a whole new chapter in their histories, but also ensures a legacy in the medical field. After the sale, she will donate the funds toward the foundation of an international hospital for stem cell research.

“This will not be the end of the jewelry, but it will be something that does good, helping a cause that is very important to me. I want to leave a souvenir of my life,” Ms. Lollobrigida told reporters {cited}.

Van Cleef & Arpels “Lunar Landing” Pendant On View At the Forbes Galleries in New York

Van Cleef & Arpels "Lunar Landing" Pendant on Display at the Forbes Galleries. Photo Copyright 2013 Forbes.

Van Cleef & Arpels “Lunar Landing” Pendant on Display at the Forbes Galleries. Photo Copyright 2013 Forbes.

This golden depiction of a portion of the surface of Earth’s moon is pocked with miniaturized craters and chasms, with one “fresh” ruby meteorite embedded in its surface. Made in 1969 by Van Cleef & Arpels, this “Lunar Landing” pendant is currently on view at the Forbes Galleries in New York City.

Out of This World! Jewelry in the Space Age, which runs until September 7, 2013, seeks to explore “the complex and aesthetically inspiring relationship between outer space and jewelry” {cited}, by showcasing “beautiful and whimsical jewels” {cited} which reflect the impact of space exploration, as well as the mystery and thrill of discovery inherent in that exploration.

The “Lunar Landing” pendant commemorates the first Apollo moon landing, when Neil Armstrong made his first impressions in moon dust. Several other commemorative pieces are on display, including three 18k gold replicas of the actual Lunar Landing Module.

The scope of the exhibit is far grander than commemorating historical events in space. Tracing the evolution of space jewelry from the Georgian to the Modern eras, over 100 designers are represented in the show. Every aspect of space is covered, with jewels inspired by celestial bodies and spacecraft, jewels made from materials created for space travel, and jewels made from meteorites and materials brought back from space missions. There are also pieces on display that have taken a shuttle ride through space.

Out of this World! Jewelry in the Space Age promises to have appeal to jewelry, science, and space enthusiasts. As Managing Director Bonnie Kirschstein relates, “The way [space and jewelry] have influenced each other throughout the years is interesting and has inspired so much creative and thought-provoking design. It is in our nature to be curious about the world beyond our own, giving this exhibition a universal draw.” {cited}

Visitors are invited to view the exhibition for free Tuesday through Saturday from 10am until 4pm. The museum is located at 60 Fifth Avenue in New York City. You will find more information and directions at the Forbes Galleries website.

Designer Spotlight: Verragio

Verragio Diamond Engagement Ring

A 1.12-carat round brilliant-cut diamond crowns this solid platinum Verragio engagement ring. Flanking it on either side are four smaller round brilliants in step-style along the shank. This ring exemplifies Barry Verragio’s philosophy that the central stone (and not the mounting) deserves the starring role in the engagement ring, just as the bride (and not her dress) deserves center stage at her wedding.

The principal diamond rests snugly, but freely, in the designer’s exclusive Lumino setting, which “unleashes the ultimate sparkle, brilliance and the fire of the diamonds.” {cited} Mr. Verragio began developing the Lumino technique while working at the benches of several large jewelry firms. In 1996, with his technique perfected and over ten years of experience, Mr. Verragio set out to make a name for himself.

Following the recommendations of Tiffany & Co. designer Maurice Galley, by 2009, Mr. Verragio successfully carved a distinctive niche for himself in the wedding and engagement ring industry. While his choice to specialize in bridal rings may have been a practical one in the beginning, it seems he stuck with his choice for more sentimental reasons. ”You know that you have played a role in one of the most momentous occasions in [a couple's] lives. You will forever be a part of their memories,” Mr. Verragio told InDesign Magazine. {cited}

Mr. Verragio infuses time-honored styles with subtle nuances and cutting-edge elements, transforming classic elegance into original works of art. His beautiful designs are tailored to the modern bride who desires to blend tradition with her own distinctive style. In most of the designer’s rings these subtle nuances take the form of intricate carvings discreetly placed to provide stunning profiles without detracting from the innate beauty of the central diamonds.

The ring pictured here is absent these intricacies, placing it distinctly in Verragio’s Classico Collection, which is characterized by cleaner arcing lines reminiscent of classic designs. This collection is clearly designed to evoke scenes of classic Italian weddings, and this ring, with its architectural nod to the cathedrals of Rome, does its job well.